May 09, 2007
Posted by: Good Lt. at
06:14 PM
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Post contains 44 words, total size 1 kb.
http://www.youtube.com/watch?v=Yfg1VqXNEVE
Sorry I just hate classical. Nothing but pussy music as far as I see it.
Posted by: Legrand at May 09, 2007 08:53 PM (/etUv)
Posted by: Good Lt at May 09, 2007 09:00 PM (yMbfY)
Posted by: heroyalwhyness at May 09, 2007 10:44 PM (MAPKL)
/hyperbole
Ahem... Where was I? Oh, yeah...
Bernstein was actually quite conservative in some ways. Compositionally, he never abandoned tonality as did the vast majority of his peers. When asked about that in an interview once, he replied, "There's this thing called the overtone series." Since my book is about the musical implications of the overtone series, I use that quotation at the very beginning of it.
As far as his personality is concerned, well, I know some of his students personally, and he had some... ah... pecadillos.
Posted by: Hucbald at May 10, 2007 09:40 AM (fvz9M)
Beethoven, Tchaikovsky, Mahler, etc. are pleasing to the ear and mind, making them more "accessible" and "durable," as Bernstein put it about Beethoven. Atonalism was a pseudo-rebellion against the traditional framework of overall tonalism in Western Music (and is fairly contemporary, reaching popularity throughout the mid-late 20th century). An someone like Ligeti, for example, might create an interesting experiment in atonal vocal music, creating shapes and textures with the SSAATTBB orchestrations, all with little or no emphasis on melody or tonality.
One of the cooler exceptions? Ives. That guy was awesome.
Posted by: Good Lt at May 10, 2007 10:09 AM (yMbfY)
Posted by: Stix at May 10, 2007 02:11 PM (KmQWN)
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